When writing the take-home test, I expect your answers to the poetry questions to reflect fluency with poetic terms you have learned throughout the year, as well as the following terms specifically:
As you know, I frequently participate in English Nerd Seminars. I posted the following poems with an explanation of Poetry in the Round and here is what we received back.......
When reading the short stories, ask yourselves the following quesiton: Who is Guilty? Who is Innocent?
Today ( 3/24) is the birthday of poet, publisher, and bookstore proprietor Lawrence Ferlinghetti, (books by this author) born in Yonkers, New York (1919). His Italian father died while his French-speaking mother was pregnant, and his mother had a nervous breakdown and went to a mental hospital the year after he was born. He was sent to live with an aunt, who divorced her husband and took Lawrence to France. Four years later, she returned to New York, placed him in an orphanage until she could find work, then brought him into the rich household where she had found a position as governess. She disappeared and later died in an asylum, and the family she worked for adopted and began to educate the boy with classic literature.
Paradigm shift, sometimes known as extraordinary science or revolutionary science, is the term first used by Thomas Kuhn in his influential 1962 book The Structure of Scientific Revolutions to describe a change in basic assumptions within the ruling theory of science. It is in contrast to his idea of normal science.
It has since become widely applied to many other realms of human experience as well even though Kuhn himself restricted the use of the term to the hard sciences. According to Kuhn, "A paradigm is what members of a scientific community, and they alone, share.” (The Essential Tension, 1997). Unlike a normal scientist, Kuhn held, “a student in the humanities has constantly before him a number of competing and incommensurable solutions to these problems, solutions that he must ultimately examine for himself.” (The Structure of Scientific Revolutions).
A scientist, however, once a paradigm shift is complete, is not allowed the luxury, for example, of positing the possibility that miasma causes the flu or that ether carries light in the same way that a critic in the Humanities can choose to adopt a 19th century theory of poetics, for instance, or select Marxism as an explanation of economic behavior. Thus, paradigms, in the sense that Kuhn used them, do not exist in Humanities or social sciences. Nonetheless, the term has been adopted since the 1960s and applied in non-scientific contexts.
After Brutus had killed Ceasar, he gave a big funeral speech. "I come to bury Ceasar, not to praise him" he told the mob. "I loved him, but loved Rome more" he also said. Deflection: a useful political tool.
His parents were from French-speaking Quebec, and he did not start learning English until grade school. He skipped second and third grades, and as a 16-year-old senior, he ditched class in order to go alone to the public library and read what he wanted: Hugo, Goethe, Hemingway, William Saroyan, Thomas Wolfe, history books, the Encyclopedia Britannica, and books of chess problems. He was a good football player and received a scholarship to Columbia University, but he broke his leg in the first season and didn't play anymore. He dropped out of Columbia, joined the Merchant Marine and then the Navy, and was given a psychiatric discharge after only two months, having been labeled as a "schizoid personality." The next fall, he went back to Columbia where he dropped out again almost immediately, but kept his apartment near campus and it became a gathering place for young intellectuals. During that time, he met Allen Ginsberg, William S. Burroughs, Carl Solomon, Neal Cassady, and others who would help found the Beat Movement.
He spent the next seven years hitchhiking around the United States and Mexico, and in 1949 he and his friend Neal Cassady drove a Cadillac limousine from California to Chicago, going over 100 miles an hour on two-lane roads until the speedometer broke. In 1951, he sat at his kitchen table, taped sheets of Chinese art paper together to make a long roll, and wrote the story of Cassady and their trips. It had no paragraphs and very little punctuation. Allen Ginsberg called it "a magnificent single paragraph several blocks long, rolling, like the road itself." It took him only three weeks to complete and became his novel On the Road (1957).
Shakespeare has a lolcat too....
The apparition of these faces in the crowd;
Petals on a wet, black bough.
(This is the whole poem)
What images does Pound evoke in your mind?
At fifteen I stopped scowling,
I desired my dust to be mingled with yours
Forever and forever and forever.
Why should I climb the look out?
At sixteen you departed,
You went into far Ku-to-en, by the river of swirling eddies,
And you have been gone five months.
The monkeys make sorrowful noise overhead.
